Monday, September 21, 2026

 The Marathon Song

prelude

Drag the hard skinned drum

to the centre of the yard,

Carry a spare string for that isiriri, my friend

Bring out three-legged stools too

You mustn't break your back before I get back.

Beat it modestly, mind the hide,

It mustn't burst before the refrain-

Till the last dancer, the last stanza.

Bow the isiriri soft and slow-

This isn't a quick pluck-and-go

This is a telling of the falling feet

By the people of the lean legs

On the long winding road

Of legendary lungs

Enduring rhythm

unbroken spirit

This is it.

 

Beginnings

You better bet humble;

Or lose in a blind gamble.

So listen thee to the deep;

hearken now before you leap:

For the longest path lies quiet-

 but shakes your bones the hardest yet!

So the runner's best bet

 is to don a sentinel's mood,

Sniffing for peril in this night just begun;

is to put on a warrior's hood

To keep his scalp from the desert sun.

 

The opening cords crack like rain in March

Clapping the morning deaf.

In nervous jerk, the mob surges

Like a giant Marabou stock,

 in a panicky abandonment of perch.

Nostrils seeking the air,

sneakers lapping the earth

And elbows flapping in-between.

 but it is only the opening cords-

Quick and clipped

Then a tambourine's rattling shake

[Marathon… same stanza]

A hype and a clash…then

rumba,

Slower, comelier.

 

In the steadied tap of feet

In the mid-verse swing

Like spooked sparrows sway away

Together the strong and the near-lame,

So the crowd seeking dream and fame

Stumbles ahead into clarity-

 for each with his lot shall surely fall:

With the fools, the wind will fly into folly,

With the eager, their haste will come to waste.

But you, my friend, find my step - stay

Find your beat; don't just dance along,

The dance of distance is a long song.

 

With the first smile-

That punishing strike of a willful sun,

The unpracticed, un-tempered, unsure-

Those made of much else but steel

Are on the roadside dump with woe.

The testy hang-ons too must fail the ordeal.

 

But for those who'll toil

Nature finds a jolly spot in their minds.

Like a fine fuel injecting into an engine

comes the countryside free and wide

And all chambers are charmed with life!

Green on tree-tops and green in the undergrowth

The brown and gnarled, knotted and knobby

The ragged rock and the plowed plots

 the granite black and algae white

The red earth and the blue skies

All lost apart then found in your eyes;

Is a beautiful song to see.

 

And you're dancing, unmindful

 of distance lost behind you.

The quiet gathering of kilometers underfoot,

The silent surgery upon the original mob

Into a broken line on a narrow trail:

You see less and feel more:

[Marathon… same stanza]

The heart beats in solid throb

The first sweat falls onto the road.

We are on.

 

The middle

The sweat on my forehead in this heat,

The heat in my toes as I forge ahead,

The swing of my hands

The weight of wind on my chest

The swish of my shorts, the fall of feet

The gasp in my throat and the salt on my lips

The lock of my joints, the jerk in my hips,

The tension in my tendons,

And a stream of sweat down my spine,

a-step-at-a-time and I head along;

Am going fast and doing fine.

 

And I bow my head for Road, The Master

Who can slight your endless length?

Who but you tastes the salt of my labour?

In the sweat that you soak in?

Who knows my strain and gasp;

The urgency in my breath,

The weight in my stride,

The draw of my foot,

The drag on the climb;

Who?

 

I land with the heel, I spring with the toe

Heel and toe, I step and go,

I keep the beat with a swing of elbow-

I keep the time with sway of chin

Sowing drops of sweat by the roadside.

I write with my feet, a new song every season-

grating, crunching with rubber on sand

As I scale the rises, as I deep into streambeds

The crunch and grate are notes on a scale-

Quick quivers cracking beneath my feet

Where I sing them as I go

 as I sing on the sand as I scale this run.

 

Because push carts and posh cars

Can't be ruining my music today,

[Marathon… same stanza]

Because Smoky Babu (the bus) and boda boda

Shan't be chocking my breathing this day,

Because yet that old wagon won't stall Mid-road,

I shall have my music as I like it.

I shan't have to halt mid-line

I shan't have to slow down then speed up

Or run off then into this good road, this scale.

So, come ye all good players:

Come wind from the woods where this path winds,

Come wind and fife by my ears;

Come Chief de Croak where this scale dips by the muddy pond

Come Croak Prince- grate your throat, bless my stride;

Come monkey, break a twig let it fall, let it drum the earth,

Swing wide then leave your ghost swaying the boughs,

Then laugh!

 

That laugh is The half-point

A landmark in the wind

 

That awakes my mind.

My skin is shouting from every old blister-

Yet from here on I must sing faster.

Sweat is salting on my face, air's tagging  in my breast

But I must blaze through saline heat, and never rest.

There's a quarrel in my calves, shock in my waist-

But therein burns a fire- for the homestretch braced.

The toes swim in liquid heat, but they too must keep the beat.

And I must dance on.

 

The  road-side's endearingly great:

Patches grassy green hawk their comfort in your face

Dare you look too long and you'll break your pace;

Streams clean, welcomingly cool look up

Begging you to drop into a trot, to stoop and scoop;

And the canopied shades lined to shelter

Broken bodies from an incessant sun

Blazing on your back, licking you nape,

Straining your song, hoping you'd stop

At the stream, under the shade, or on the grass.

 

But you drone louder to drown

The noise in the mind, the voice in the wind,

The startled onlookers' eyes trying to be kind-

[Marathon… same stanza]

Those pitiful eyes that see and say sorry

That stare in uncomprehending worry,

The voices that murmur in wonderment why

A grown man leaves his beer to court muscle ache,

A woman shamelessly breaks into a sweat in public!

 

But onwards you trudge

And let none be your judge.

You swing your elbow and sway your booty,

You let the rhythm of these remain testimony

Of a will to live, of an ability to carry,

Of an intention to keep, to improve by use

A body born able, now chiseled and apt.

 

And  so in the strained stanzas of straddled time

In the quieter song and louder puff

When the going has gone on and gotten tough

In the last stretches of struggling rhyme-

The human spirit approaches the sublime:

Nerves converse with tendons

Dreams merge with the scenery

Fears fly into the dust forgotten

Courage speaks to the bones

Focus is reconstituted

Intentions revised

The spirit freed,

Flies!

 

Homestretch

Leashed to the neck, the isiriri screams

Restrained between thighs, the drum rumbles

The burst of will is a flex of the mind,

The back arches backwards

Knees rise to mark the beat

Toes curl and scoop

Palms open and slice the wind

The chin strikes up and out

Lips purse and hoard the last breath

sky bows and the earth cranes

They meet in a long kiss

In a dance

To the end-

To the drum

[Marathon… same stanza]

to the Isiriri

to the flesh

to the mind

To the end!

 

When they part and tag away

The twang of the final note hangs in the air

The echo of the last thunder rings everywhere.

The pant of a spent lung fades out, freely

Sweat will gather and roll, eyes

Will roam and record the moment

But the feeling is forever.

 

 

Award Ceremony

Every child her thrill.

And I will give my life

to come home holiday-happy

With sweat for a souvenir;

With a spirit reborn;

With a body lean and lithe;

With a brand new song mine own.

 

 

DEVINE COMPANY

Waiganjo Ndirangu

Homeward I walk in the night
On a path by fire flies lit,
underbrush licks my ankles,
castor seeds feel my under-feet
And the raw smell of fertility
of my motherland tickles my nostrils.

Oh, and the moon overhead
Winks tirelessly down at me
Through an endless crisscross of twigs.
Like a smitten lover behind a picket fence,
So the shy smile of the baby moon.

Stolen from reality,
I am loving the moon back,
dancing with the crickets,
howling with the wolves;
suddenly- I arrive
And behold,
the marvels of a generous jacaranda!

The blessing it does bring:
embellishes my humble yard in purple;
a litter of flowers, not just a couple!
And into my hut sneaks
in good measure a rare perfume.

Kieni Bushes

© 2026 Waiganjo Ndirangu. All rights reserved.

 

TREE LORE: “WHY TREES ARE EVER STANDING”

Waiganjo Ndirangu

Hush the swish in your leaves
Tender twig, halt your play
Young trees, slow your sway
Listen to us old wood!

“it wasn't always this cool,
The sun didn't always just shine-
It burned oh! It scorched so!
We withered and wilted and shriveled:

Great Oak and his family cracked
Cider- all tall and hard-barked,
Bristlecone pine and any other pine
All browned away and dried;

We knelt, lowered our sapped branches
Stretched our weary stalks and just about died.

It was a sad time such-
Cut up and shipped away,
The best of us-
Demeaned and baked into charcoal,
Or lumbered into timber- that vast tomb...

Oh, and cousin Sandal Wood, butchered for perfume!

We lost our graceful poise.
The rains ceased, rivers shrunk
What a season!

Then came along a girl, she of the green heart-
Born of the enemy but turned friend indeed!
Her love green as sap, Her word was her deed.

For every broken twig, she dropped her head
If a tree fell in Karura, she shed
Tears and cried, ‘No! Desecrate no more!
Our heritage: green beauty of earth!’

The rest is history:
-the rise of the trees, the era of green
Which you, young tree now see-
Bountiful leaves on beautiful boughs,
The earth's safe again,
The state of our nation strong!

This legacy we remember her by
-Wangari wa Maathai-”

(As told by a 100 year old Cider tree in 2092)

Rise to me in your earthen smell
Choke me on eucalyptus incense
Rain on me
Sun on me
Laugh and cry
Touch me
Come and take me
To places deep and far
Beyond the fear
Between the boughs that shield the sky
And the undergrowth
Underfoot where I step
Lift me from the forest floor
Swing me to the heavens
Touch me
Tangle me with your tendrils
Wrap me with your tender thrills

Kieni Bushes

© 2026 Waiganjo Ndirangu. All rights reserved.

TIME OF THE BABY ORYX

 

TIME OF THE BABY ORYX

Waiganjo Ndirangu

In a spot in the wild
Among grass and cactus.
between two rivers flowing away –
each embroiled in its own course
Two eyes watching an afternoon terrain.

Panting in the Maasai Mara heat,
long teeth – teeth sent forth but recalled mid-hunt,
flashing menacingly yet leashed -
Restrained by as slender a strand of kindness
As the fleeting compassion of a rock in free fall
for the luckless ant on the ravine floor -
was a lioness.

And at the beasts warm side, a baby Oryx -
Her legs just firming, in the morning of her life
Lost to his kin to breath by the forest queen;
Looking for life in death’s lair
Sometime back in a Kenyan December.

Perhaps the innocence of careless prey
Perhaps the foolishness of starving predator;
Perhaps a sign from above –
For the lion and the lamb shall lie together.

Certainly, the shocked tourist.
Certainly two rivers flowed away -
Thief and a victim walked into an alleyway
Politician and voter kissed on the cheek.
For five impossible nights.


At first light
Glows the deep brown of an Oryx
Traipsing in the tropics among grass and cactus.

Wind whistles through grass and a beast yawns, walks
A ravening lion - keen on the meal he stalks.

The sun pauses, poised, an instant-
A lone witness to a callous mess unfolding
Among grass and cactus.

Panting from the venture is a full-cropped vulture;
It’s kin pick beaks and watch, from an acacia perch.

The head hyena hoots, leads away its cahoots
into a scavengers’ day, and two rivers flow away,
Among grass and cactus.

Settling dust, broken grass,
Blood here, a bone there.

Baring bloody canines
A lion lies sprawled
Among grass and cactus,
Where a baby Oryx once traipsed.

Kieni Bushes

© 2026 Waiganjo Ndirangu. All rights reserved.


I come of a line of kings

I am the troubly in your tummy

the mingraine in your head

this morning

Tuesday, November 17, 2020

Nairobi is a quick lover

 First flash: a business-bright billboard smile;

A suit far too neat for the jam on Jogoo Road;

A suit too well knit, too well fitting, too good

For anyone real.

Then he moves- inside the billboard-

Two steps forward, one to the side

Hand glides out of pocket with a slide

Phone. Best leg forward. Pose.

 

(") Pause.

Nairobi stops to watch, to save to memory

This magic of a man - perfection personified.

This memory merges with others in vogue:

The hunky hero on movie magic,

A one-time White House guest turned iconic,

The muscled advert-face relic

And any other on any magazine

In Nairobi or any city else.

 

(>) Play

Feet fall close in a life so fast paced-

Nairobi eyes are bewitched with contact allergy

Like a bad case of cross-eyes.

They are busy eyes.

Shoulders meet hard and repel

Jostling for that wear; that look

Dying to catch Mr. Nairobi's eye-

Actually dying.

 

 When he breathes,

women save for steam irons

For the latest tights on watched weights.

The gyms pack full, lunch spots close shop.

When Nairobi raises his eyes

Women raise their hems.

 

 Boutique prizes up-shift.

Credit  firms reach-out to you, brother:

A thousand eyes eying a single image

With similar need, fast-bred greed-

To have a neat lawn- by a street swept daily at dawn

To park in the mezzanine- a concept car.

(Property agents drop bellies fast.)

To have the next technology now. Now!

The Messaging-optimised E-series with 4G

For sms, for facebook and for flashing with glee!

Or the 2TB HDD, 8GB RAM, 3.2 Ghz Core i7

For single finger snail-typing,

gaming and getting you the 'Lo!'

From that impossible work mate -

Never mind the fortune

Nairobi likes you looking great!

And anyways, for the neighbour's eye,

What’s too dear to buy?

Be it a tool or a ruse!

Mustn’t you pay for but hardly use

In Nairobi?

 

In the catch-my-eyes dance

Ubuntu dies and is buried at Kimathi's feet,

To keep stillborn uhuru company.

But Nairobi's a walking city,

Or a one-train-a-day affair,

Matatus shuttling at capacity,

In a jam with single-occupant cars,

 

And for a single moment, you look like him-

Or right for him.

You are ecstatic, you are Nairobi!

 Or Nairobi's newest whore

Angel-looking

High-heeled

Sleek-suited

UAE-cologned

On-demand smiling

Junk-fed

Over-worked

Overspending

Man and woman.

Nairobi will bed you quick!

Then fire you

Then sue you for bankruptcy

Then auction your concept car

Then you hit the road -

A truly fulfilled fool!

A truly fulfilled fool!