Butterflies before an acceptance speech
If madness strikes me
Seizes my senses right on the dais
Shakes me out of my habitual lies;
If I spoke the truth just once
dropped this calculated elegance
Butterflies before an acceptance speech
If madness strikes me
Seizes my senses right on the dais
Shakes me out of my habitual lies;
If I spoke the truth just once
dropped this calculated elegance
Straight Tool and Miss Last Nail
Was
once a tool
Real
sleek steel,
fine
for new nails, or fixing a few rails
or
just about anything the crew wills-
a
fresh prince for the price of fish-
free!
Death, thou art loosed!
My
head is full
Of
sounds of a shovel
Of
sands shoved
Of
rocks moved
Of
ground punched
To
sink a necessary grave-
Unnecessarily
too often
Too
close to the last
In
too dry a ceremony.
The
people I’ve buried
Graves
I have filled
In
song-less haste
In
war’s pointless waste
Death
is born.
I
grope in the past
And
my past is lonely and vast
Furnished
with misery
Well
washed with tears and worry
Ventilated
by gusts of terror –
my
past is packed to the ceiling with
memory
upon memory
loss
upon loss
too
often in this war-
Stacked
atop each as if
they
were trophies.
My
past is a place
famished
then abandoned
By
friends and the sun and the wind.
My
past is this place I can’t leave
This
home I return to
This
prison that shadows me
No
matter the borders I cross,
This
windowless trap
This
smothering grip,
This
past so vast
Acres
and acres of evil in my mind
Poisoning
where I walk
What
I think, who I meet-
poisoning.
My past is a memory
the
smell of blood of kin
stinging
pain of singed skin
the
sound of a flaring flame
of
a flame crack
the
harrowing fall of my life.
With
my hands I remember
burying
people
I had encountered
bodies
I had entered
The
hearts I had warmed
In
the season of love bloomed,
Lips
I’d tasted; the bonds now tested
By
death broken, I buried.
I
remember
That
I have lost to soulless sands
To
silent earth
To
rocks that clatter,
then
roll and settle
to
graves that cover
my
friends whose fatal
End
is an endless bother
that I couldn’t shrug at all -
this
memory so lonely and vast
Is
a grave that covers me
For
since then, I've been dead
Though
I walk-
at
corners and turnings and straights
pavement
and kerbside and where else
you’d
care to look-
is
a dead show
of
bones- rackety rickety riot
in streets
First flash: a business-bright billboard smile;
A suit
far too neat for the jam on Jogoo Road;
A suit
too well knit, too well fitting, too good
For
anyone real.
Then he
moves- inside the billboard-
Two
steps forward, one to the side
Hand
glides out of pocket with a slide
Phone.
Best leg forward. Pose.
(")
Pause.
Nairobi
stops to watch, to save to memory
This
magic of a man - perfection personified.
This
memory merges with others in vogue:
The
hunky hero on movie magic,
A one-time
White House guest turned iconic,
The
muscled advert-face relic
And any
other on any magazine
In
Nairobi or any city else.
(>)
Play
Feet
fall close in a life so fast paced-
Nairobi
eyes are bewitched with contact allergy
Like a
bad case of cross-eyes.
They are
busy eyes.
Shoulders
meet hard and repel
Jostling
for that wear; that look
Dying to
catch Mr. Nairobi's eye-
Actually
dying.
When he breathes,
women
save for steam irons
For the
latest tights on watched weights.
The gyms
pack full, lunch spots close shop.
When
Nairobi raises his eyes
Women
raise their hems.
Boutique
prizes up-shift.
Credit firms reach-out to you, brother:
A
thousand eyes eying a single image
With
similar need, fast-bred greed-
To have
a neat lawn- by a street swept daily at dawn
To park in the mezzanine- a concept car.
(Property
agents drop bellies fast.)
To have
the next technology now. Now!
The Messaging-optimised
E-series with 4G
For sms,
for facebook and for flashing with glee!
Or the 2TB
HDD, 8GB RAM, 3.2 Ghz Core i7
For single
finger snail-typing,
gaming
and getting you the 'Lo!'
From
that impossible work mate -
Never
mind the fortune
Nairobi
likes you looking great!
And
anyways, for the neighbour's eye,
What’s
too dear to buy?
Be it a
tool or a ruse!
Mustn’t
you pay for but hardly use
In
Nairobi?
In the
catch-my-eyes dance
Ubuntu
dies and is buried at Kimathi's feet,
To keep
stillborn uhuru company.
But
Nairobi's a walking city,
Or a
one-train-a-day affair,
Matatus
shuttling at capacity,
In a jam
with single-occupant cars,
And for
a single moment, you look like him-
Or right
for him.
You are
ecstatic, you are Nairobi!
Or
Nairobi's newest whore
Angel-looking
High-heeled
Sleek-suited
UAE-cologned
On-demand
smiling
Junk-fed
Over-worked
Overspending
Man and
woman.
Nairobi
will bed you quick!
Then
fire you
Then sue
you for bankruptcy
Then
auction your concept car
Then you
hit the road -
A truly fulfilled fool!
A truly fulfilled
fool!